TOOL C-32 · v1.0.0 · FREE ACCOUNT

C-32 · ACOUSTICS · ROOMS

Room acoustics

Draw the room, put in its windows, doors, furniture and finishes, and see how long it rings: reverberation time in every octave band by four formulas, against the target for what the room is for, with its modes and the absorption it needs.

v1.0.0 · checked against published values
PLAN · DRAG THE CORNERS AND FURNITURE
3D · COLOUR = HOW MUCH SOUND A SURFACE ABSORBS
REVERBERATION 500–1000 Hz0.81 sEyring
VOLUME50.9 m³85.9 m²
SCHROEDER FREQUENCY260 Hzmodes below, diffuse above
CRITICAL DISTANCE 500 Hz0.57 mdirect = reverberant
REVERBERATION TIME BY OCTAVE BAND

Tm = 0.25·(V/100 m³)^⅓ = 0.20 s, within ±0.05 s from 200 Hz to 4 kHz.

What this room shows

  • Reverberation time 0.81 s at 500–1000 Hz (Eyring), 0.86 s by Sabine.
  • Too reverberant for Listening room, home cinema (ITU-R BS.1116) in the 250, 500, 1000, 2000, 4000 Hz bands.
  • Fitzroy differs from Eyring by up to 29 %: the absorption sits mostly on some surfaces, so the parallel bare ones will decay more slowly (flutter echo risk).
  • Below about 260 Hz (Schroeder frequency) the room behaves as separate modes, not as a reverberant field: look at the mode list there.
  • Mode spacing meets Bonello's criterion up to 300 Hz.
  • 29.0 m² of Glass wool 50 mm, on the wall brings the 500–1000 Hz time to 0.20 s.
TREATMENT DESIGNERHow much absorption, of what, and where
PRO+
ROOM MODES

CHECKED AGAINST PUBLISHED VALUES · RUN IN OUR TEST SUITE
WhatPublishedThis calculator
Room 7 × 5 × 3 m, first six modes (Long 2014, Table 8.1)24.6 · 34.5 · 42.4 · 49.2 · 57.4 · 60.1 Hz24.6 · 34.4 · 42.3 · 49.1 · 57.3 · 60.0 Hzagrees
Same room, modal density at 1 kHz (Long 2014, §8.3)34 /Hz34.3 /Hzagrees
Air absorption, 20 °C, 50 % RH, 1 kHz (ISO 9613-1, as tabled by Piercy & Daigle 1998)4.7 dB/km4.66 dB/kmagrees
Air absorption, 30 °C, 50 % RH, 4 kHz (same table)25 dB/km24.6 dB/kmagrees
Uniform absorption: Fitzroy and Arau-Puchades equal Eyring (identity)equalequalagrees
Small absorption: Eyring tends to Sabine (Long 2014, eq. 8.62)ln(1 − ᾱ) ≈ −ᾱwithin 0.5 % at ᾱ = 0.01agrees
  • Statistical room acoustics: right for ordinary rooms above the Schroeder frequency. Concert halls, coupled spaces and strongly uneven rooms need a ray-tracing or wave model.
  • Sound fields, early reflections and low-frequency modes of any shape are the kind of simulation we build Tessera for. See Tessera →
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HOW IT'S CALCULATED · WITH YOUR NUMBERS

Step by step, with your numbers

References: Long, Architectural Acoustics, 2nd ed. (2014), ch. 7 and 8; Cox & D'Antonio, Acoustic Absorbers and Diffusers, 3rd ed. (2016), App. A; Fitzroy, JASA 31 (1959); Arau-Puchades, Acustica 65 (1988); ISO 9613-1:1993; DIN 18041:2016; ANSI/ASA S12.60-2002; ITU-R BS.1116.

BEYOND THE DIFFUSE FIELD

Concert halls, studios, open offices and plant rooms: we model them with ray tracing and wave simulation.

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